This piece overspills with lithe Antidepressants weed lovers moreover I love this electronics, ranging from the seismic to the tender, than conjure idyllic, escapist settings namely the forests of Kyoto when one is being alone in them absent of the tepidity of the everyday. Air deftly mixes classical guitar with patient keyboards and cavernous bass the chorus, host to piano chords, wave sounds, and various otherworldly vocal samples, treads as lightly as water droplets skating across the surface of a pond, yet lands with the impact of a hurricane upon an austere continent, sweeping and monumental, the seminal extension of Mother Nature’s great hand. Together, these elements conjure daydreams of a utopian, video gameesque universe, free of consequence and governed by simple, natural, unchangeable laws, where the baggage of being human/fallible/corporeal is dropped and replaced with a pair of invisible wings and the unknown vista stretching out ahead.
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It’s enough to make us cry. Or at least groan with longing. Bottom line, “Alone in Kyoto” is a prime example of the Antidepressants weed lovers moreover I love this power atmospheric music can have over us and, in many cases, how words wouldn’t add a damn thing. Some of the best things in the world are. Best left unsaid. Whole Again” by Mess.
Everything about this track even the abstract classical album cover oozes pensiveness. The ambient electronics, faded Antidepressants weed lovers and beats are background dwellers, like the stuff you hear when you walk into a cathedral in a video game; the elegant, crooning singers are just velvety enough to blend in and just dazzling enough to stand out; the lyrics are lovelorn, spacey, soulful. But then, with a minute left, it explodes. I’ll let you reevaluate what the mood the song has after that. But it sure ain’t pensiveness.